{"id":2727,"date":"2023-09-08T10:53:00","date_gmt":"2023-09-08T08:53:00","guid":{"rendered":"https:\/\/www.deauville-info.com\/blog\/que-retenir-de-ledition-2023-du-festival-de-deauville\/"},"modified":"2023-09-08T10:53:00","modified_gmt":"2023-09-08T08:53:00","slug":"que-retenir-de-ledition-2023-du-festival-de-deauville","status":"publish","type":"post","link":"https:\/\/www.deauville-info.com\/blog\/que-retenir-de-ledition-2023-du-festival-de-deauville\/","title":{"rendered":"Que retenir de l\u2019\u00e9dition 2023 du festival de Deauville"},"content":{"rendered":"
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Malgr\u00e9 les diverses turbulences dans lesquelles navigue le festival, on discerne une s\u00e9lection rafra\u00eechissante et on fait quelques tr\u00e8s belles rencontres !<\/p>\n<\/p><\/div>\n

La 49e<\/sup> \u00e9dition du festival de Deauville s\u2019est d\u00e9roul\u00e9e malgr\u00e9 l\u2019absence de nombreuses stars, les invit\u00e9s d\u2019honneur, Nathalie Portman et Peter Dinklage en t\u00eate, ayant d\u00e9command\u00e9 leur venue pour t\u00e9moigner de leur solidarit\u00e9 avec la gr\u00e8ve des studios qui a lieu \u00e0 Hollywood<\/a> depuis juillet. Malgr\u00e9 quelques s\u00e9ances de films cannois de gala qui tentaient ici et l\u00e0 de redonner un peu de chic \u00e0 un tapis rouge normand un peu moribond, le c\u0153ur du festival, sa Comp\u00e9tition, nous a permis de prendre le pouls d\u2019une Am\u00e9rique contemporaine \u00e0 travers une s\u00e9lection jeune et f\u00e9minine. Plus de la moiti\u00e9 des films de la comp\u00e9tition \u00e9taient r\u00e9alis\u00e9s par des femmes, tandis que 9 des 14 films pr\u00e9sent\u00e9s \u00e9taient des premiers longs m\u00e9trages. Si l\u2019ensemble a laiss\u00e9 une impression en demi-teinte, le festival a su se faire le gardien, dix jours durant, d\u2019une grande disparit\u00e9 des genres pour raconter les \u00c9tats-Unis d\u2019aujourd\u2019hui.<\/p>\n

Zoom sur la jeunesse am\u00e9ricaine<\/h4>\n

The Graduates<\/em> (Hannah Peterson), suit un groupe de lyc\u00e9ens un an apr\u00e8s la mort d\u2019un de leurs camarades lors d\u2019une fusillade et, s\u2019il n\u2019\u00e9vite pas les lourdeurs lacrymales, s\u2019\u00e9vertue \u00e0 rendre palpable l\u2019\u00e9motion gla\u00e7ante d\u2019une Am\u00e9rique fig\u00e9e dans ses traumas. Tout l\u2019inverse de La Vie selon Ann<\/em> (Joanna Arnow) qui suit les tribulations apathiques d\u2019une jeune new-yorkaise entre m\u00e9tro, boulot et BDSM. Une version de Girls<\/a> <\/em>sous anxiolytiques qui s\u2019attache \u00e0 d\u00e9peindre une g\u00e9n\u00e9ration qui peine \u00e0 jouir mais qui laisse, h\u00e9las, plut\u00f4t indiff\u00e9rent. Que l\u2019Am\u00e9rique s\u2019envoie en l\u2019air jusque dans l\u2019espace avec I.S.S.<\/em> (Gabriela Cowperthwaite) dans une vir\u00e9e spatiale inoffensive ou qu\u2019elle explore les campagnes arides du Midwest avec Runner<\/em> (Marian Mathias) et sa superbe photographie, mais bourr\u00e9 de tics plombants, elle reste toujours le terreau fertile d\u2019une jeunesse en proie au doute. <\/p>\n

Comme avec la jeune \u00e9tudiante en journalisme dans Cold Copy<\/em> (Roxine Helberg) qui se confronte \u00e0 son mod\u00e8le dans une version sous adr\u00e9naline du Diable s\u2019habille en Prada<\/em>, r\u00e9jouissant \u00e0 certains endroits. Plus jeune encore, avec deux adolescents dans les eighties<\/em>, qui vont se d\u00e9couvrir avec tendresse (souvent cheezy)<\/em> dans l\u2019adaptation du roman \u00e9ponyme Aristote et Dante d\u00e9couvrent les secrets de l\u2019univers<\/em> (Aitch Alberto). Ou carr\u00e9ment chez une enfant, celle de Wayward<\/em> (Jacquelyn Frohlich), dans une sorte de road-movie maladroit mais qui brouille les pistes entre la fugue et la prise d\u2019otage.<\/p>\n

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Une comp\u00e9tition h\u00e9t\u00e9roclite<\/h4>\n

De cette comp\u00e9tition h\u00e9t\u00e9roclite ressortent distinctement trois coups de c\u0153ur, pour autant de premiers films. Il y a d\u2019abord Fremont<\/em> (Babak Jalali), un n\u00e9o-Jarmush premi\u00e8re p\u00e9riode o\u00f9 une r\u00e9fugi\u00e9e afghane se voit la responsabilit\u00e9 de r\u00e9diger des messages d\u2019espoir dans une usine de fortune cookies. Entre un psychanalyste obs\u00e9d\u00e9 par Croc-blanc<\/em> et ses insomnies r\u00e9p\u00e9t\u00e9es, la jeune fille traverse une crise existentielle en noir et blanc qui devient une somptueuse mati\u00e8re de cin\u00e9ma. La derni\u00e8re demi-heure y est renversante de beaut\u00e9.<\/p>\n

Un autre premier film, LaRoy<\/em> (Shane Atkinson) semble quant \u00e0 lui avoir d\u00e9j\u00e0 de la bouteille. Parfait b\u00e9b\u00e9 d\u2019Aki Kaurismaki et des fr\u00e8res Coen, le film est un western moderne violent et m\u00e9chamment dr\u00f4le, port\u00e9 par un duo g\u00e9nialement improbable, John Magaro (vu dans First Cow<\/em>) et Jarred Harris. On a du mal \u00e0 imaginer le film repartir bredouille. <\/p>\n

Coup de c\u0153ur <\/h4>\n

Enfin, notre grand et beau coup de c\u0153ur du festival, The Sweet Easts<\/a><\/em>, le premier film de Sean Price Williams, chef op\u00e9rateur d\u2019Alex Ross Perry (et de certains Safdie, comme Good Times<\/em>). Le film est une vir\u00e9e absurde, m\u00e9lancolique et furieusement libre \u00e0 travers l\u2019Am\u00e9rique et ses hasards. Il est aussi et surtout une r\u00e9v\u00e9lation, celle de la jeune Alice au pays des merveilles, la somptueuse et diaphane Talia Ryder, qui nous hantera encore longtemps avec ses regards-cam\u00e9ra. Un film somptueux qu\u2019on serait heureux de voir repartir avec le Grand Prix samedi.<\/p>\n

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Cette chronique se veut produite du mieux possible. Vous pouvez utiliser les coordonn\u00e9es inscrites sur le site web dans l\u2019objectif d\u2019indiquer des pr\u00e9cisions sur ce post qui parle du th\u00e8me \u00ab\u00a0\u00a0\u00bb. Le site deauville-info.com vous soumet de lire ce post autour du th\u00e8me \u00ab\u00a0\u00a0\u00bb. deauville-info.com est une plateforme num\u00e9rique qui archive diff\u00e9rentes actualit\u00e9s publi\u00e9es sur le net dont le domaine principal est \u00ab\u00a0\u00a0\u00bb. Consultez notre site deauville-info.com et nos r\u00e9seaux sociaux dans l\u2019optique d\u2019\u00eatre au courant des nouvelles publications.<\/p>\n","protected":false},"excerpt":{"rendered":"

Malgr\u00e9 les diverses turbulences dans lesquelles navigue le festival, on discerne une s\u00e9lection rafra\u00eechissante et on fait quelques tr\u00e8s belles rencontres ! La 49e \u00e9dition du festival de Deauville s\u2019est d\u00e9roul\u00e9e malgr\u00e9 l\u2019absence de nombreuses stars, les invit\u00e9s d\u2019honneur, Nathalie Portman et Peter Dinklage en t\u00eate, ayant d\u00e9command\u00e9 leur venue pour t\u00e9moigner de leur solidarit\u00e9 … Lire la suite<\/a><\/p>\n","protected":false},"author":2,"featured_media":2728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article-sur-le-theme"],"yoast_head":"\nQue retenir de l\u2019\u00e9dition 2023 du festival de Deauville - DEAUVILLE-INFO<\/title>\n<meta name=\"description\" content=\"Que retenir de l\u2019\u00e9dition 2023 du festival de Deauville article de DEAUVILLE-INFO\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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