{"id":64,"date":"2022-09-09T05:01:00","date_gmt":"2022-09-09T03:01:00","guid":{"rendered":"https:\/\/www.deauville-info.com\/blog\/lettre-de-deauville-lart-du-hug-et-le-declin-du-cinema-americain\/"},"modified":"2022-09-09T05:01:00","modified_gmt":"2022-09-09T03:01:00","slug":"lettre-de-deauville-lart-du-hug-et-le-declin-du-cinema-americain","status":"publish","type":"post","link":"https:\/\/www.deauville-info.com\/blog\/lettre-de-deauville-lart-du-hug-et-le-declin-du-cinema-americain\/","title":{"rendered":"Lettre de Deauville : l&rsquo;art du \u00ab hug \u00bb et le d\u00e9clin du cin\u00e9ma am\u00e9ricain"},"content":{"rendered":"<p><span class=\"sc-1i0ieo8-0 VXCIl\">Publi\u00e9 le 9 sept. 2022 \u00e0 11:54<\/span><span class=\"sc-1i0ieo8-0 VXCIl\">Mis \u00e0 jour le 9 sept. 2022 \u00e0 11:55<\/span><\/p>\n<div readability=\"114.15002953337\">\n<p class=\"sc-14kwckt-6 gPHWRV\">Depuis&nbsp;1975, au fil des d\u00e9cennies, le festival du cin\u00e9ma am\u00e9ricain de Deauville a re\u00e7u les plus grandes stars&nbsp;: Robert Mitchum, Kirk Douglas, Robert Redford, Gregory Peck, Al Pacino, Clint Eastwood\u2026 Au cours des ann\u00e9es&nbsp;1990, il a pris ses distances avec le strass de Sunset Boulevard pour devenir le tremplin fran\u00e7ais d&rsquo;un cin\u00e9ma ind\u00e9pendant dynamique qui fleurissait \u00e0 Sundance. Ainsi avec ses hauts et ses bas, <a href=\"https:\/\/www.festival-deauville.com\/\" class=\"sc-zhefrs-0 gKDiCM\">Deauville<\/a> trace-t-il le sismographe du cin\u00e9ma am\u00e9ricain et donc de l&rsquo;Am\u00e9rique elle-m\u00eame.<\/p>\n<h3 class=\"sc-14kwckt-2 gDZSYh sc-14kwckt-6 sc-12m61ps-0 fnhKbj\">A coeurs ouverts<\/h3>\n<p class=\"sc-14kwckt-6 gPHWRV\">Or, dans sa derni\u00e8re ligne droite, la s\u00e9lection 2022 t\u00e9moigne de personnages d\u00e9boussol\u00e9s et \u00e9puis\u00e9s, \u00e0 commencer par les femmes. L&rsquo;une perd son mari dans la fusillade d&rsquo;un supermarch\u00e9 et tente de reconstruire sa vie (\u00ab&nbsp;Peace in the Valley&nbsp;\u00bb de Tyler Riggs), une autre se fait cloner avant de d\u00e9cider de tuer son double (\u00ab&nbsp;Dual&nbsp;\u00bb de Riley Stearns), deux d\u00e9crochent de la drogue ou s&rsquo;y emploient (\u00ab&nbsp;Stay Awake&nbsp;\u00bb de Jamie Sisley, \u00ab&nbsp;Blood&nbsp;\u00bb de Brad Anderson\u2026), etc. Parmi les projets les plus originaux, \u00ab&nbsp;Aftersun&nbsp;\u00bb de Charlotte Wells se d\u00e9roule en Turquie et met en sc\u00e8ne des Ecossais tandis que dans \u00ab&nbsp;Watcher&nbsp;\u00bb, Chloe Okuno filme un Bucarest infernal et que \u00ab&nbsp;The Silent Twins&nbsp;\u00bb, premier long-m\u00e9trage en langue anglaise d&rsquo;Agnieszka Smoczynska, reconstitue les paysages du Pays de Galles en Pologne.<\/p>\n<p><iframe width=\"480\" height=\"270\" src=\"https:\/\/www.youtube.com\/embed\/kDJUiXAdg5Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen title=\"Les films en comp\u00e9tition au 48e Festival du cin\u00e9ma am\u00e9ricain de Deauville\" class=\"sc-14kwckt-22 cXfant\">[embedded content]<\/iframe><\/p>\n<p class=\"sc-14kwckt-6 gPHWRV\">A quelques exceptions pr\u00e8s (dont le merveilleux \u00ab <a href=\"https:\/\/www.lesechos.fr\/weekend\/cinema-series\/armageddon-time-james-gray-et-les-cicatrices-de-lenfance-1408256\" class=\"sc-zhefrs-0 gKDiCM\">Armageddon Time<\/a> \u00bb de James Gray), les oeuvres purement am\u00e9ricaines paraissent fig\u00e9es dans leur imagerie et leurs d\u00e9cors. En premier lieu&nbsp;: la ville secondaire o\u00f9 nul ne s&rsquo;arr\u00eate. On a parcouru cent fois cette \u00ab&nbsp;Main street&nbsp;\u00bb dont le vide est soulign\u00e9 par un accord de guitare qui r\u00e9sonne dans le lointain. On a suivi l&rsquo;ado solitaire entre les casiers des couloirs du lyc\u00e9e. On a pass\u00e9 des soir\u00e9es dans le bar sinistre, \u00e9clair\u00e9 de n\u00e9ons ocre et habit\u00e9 par un \u00e9cho country distrait. Et combien de samedis au bowling, rythm\u00e9s par le fracas des quilles&nbsp;? Entre tous ces lieux familiers, on a fix\u00e9 le ciel immense, horizon que les protagonistes aspirent \u00e0 rejoindre sans y parvenir.<\/p>\n<p class=\"sc-14kwckt-6 gPHWRV\">Ces films travaillent les m\u00eames valeurs&nbsp;: la bienveillance, le r\u00e9confort\u2026 Face \u00e0 la violence du si\u00e8cle, inlassablement, ce cin\u00e9ma n&rsquo;appelle qu&rsquo;\u00e0 ressouder les liens amicaux et familiaux \u00e0 travers des conversations \u00e0 coeur ouvert. Apog\u00e9e de toute confidence&nbsp;: le \u00ab&nbsp;hug&nbsp;\u00bb o\u00f9 les personnages se serrent dans les bras les uns, les autres.<\/p>\n<p class=\"sc-14kwckt-6 gPHWRV\">Certains cin\u00e9astes tentent d&rsquo;\u00e9chapper \u00e0 ce sch\u00e9ma en se raccrochant au genre am\u00e9ricain majeur&nbsp;: le western. Le rat\u00e9 \u00ab&nbsp;God&rsquo;s Country&nbsp;\u00bb de Julian Higgins revisite la maison isol\u00e9e, menac\u00e9e par des r\u00f4deurs machos et rustres. Le bois que l&rsquo;on coupe \u00e0 la hache dans le froid de l&rsquo;hiver, la fl\u00e8che de l&rsquo;invisible archer\u2026 nous renvoient \u00e0 l&rsquo;ouest sauvage. L&rsquo;impressionnante cam\u00e9ra d&rsquo;or du festival de Cannes \u00ab&nbsp;War Pony&nbsp;\u00bb de Gina Gammel et Riley Keough, plonge dans les entrailles d&rsquo;une r\u00e9serve indienne. Il t\u00e9moigne de la mis\u00e8re et surtout de l&rsquo;humiliation des peuples am\u00e9rindiens. On y retrouve une version moderne du ranch, avec son propri\u00e9taire adipeux et une superbe apparition de bison, fant\u00f4me d&rsquo;un \u00e2ge d&rsquo;or perdu. Fant\u00f4me aussi d&rsquo;un certain cin\u00e9ma.<\/p>\n<h3 class=\"sc-14kwckt-2 gDZSYh sc-14kwckt-6 sc-12m61ps-0 fnhKbj\">Cocktail magistral<\/h3>\n<p class=\"sc-14kwckt-6 gPHWRV\">\u00c0 l&rsquo;occasion de la publication de son ouvrage somme \u00ab&nbsp;G\u00e9n\u00e9riques&nbsp;\u00bb (en 3 volumes Ed. Jockers), Deauville offre cette ann\u00e9e une \u00ab&nbsp;carte blanche&nbsp;\u00bb au critique et historien Philippe Garnier. Une s\u00e9lection qui se poursuit \u00e0 la Cin\u00e9math\u00e8que Fran\u00e7aise \u00e0 Paris.<\/p>\n<p class=\"sc-14kwckt-6 gPHWRV\">L&rsquo;ancien pilier de l&rsquo;\u00e9mission \u00ab&nbsp;Cin\u00e9ma Cin\u00e9mas&nbsp;\u00bb a compos\u00e9 un cocktail magistral. Se distingue \u00ab&nbsp;Le grand chantage&nbsp;\u00bb d&rsquo;Alexander Mackendrick (1957), un film d&rsquo;une brutalit\u00e9 inou\u00efe qui suit les vampires de la presse people dans les nuits de Times Square. Egalement new-yorkais et sans piti\u00e9, \u00ab&nbsp;La cit\u00e9 sans voile&nbsp;\u00bb (1948), de Jules Dassin d\u00e9crit une enqu\u00eate criminelle ordinaire qui nous conduit de la haute soci\u00e9t\u00e9 aux bas-fonds de l&rsquo;\u00e9t\u00e9 br\u00fblant. \u00ab&nbsp;La chevauch\u00e9e des bannis&nbsp;\u00bb (1959) est un western fabuleux d&rsquo;Andr\u00e9 de Toth o\u00f9 une bande de hors-la-loi attaque une bourgade isol\u00e9e dans une temp\u00eate de neige.<\/p>\n<figure class=\"sc-14kwckt-21 sc-12l15dn-1 sc-7ns1zc-2 jtAjtW bGFwiw cyjgXI\" readability=\"1\">\n<div class=\"sc-aamjrj-0 jbymFy\"><img decoding=\"async\" alt=\"Robert Ryan et Burl Ives dans \u00ab&nbsp;La Chevauch\u00e9e des bannis&nbsp;\u00bb d'Andr\u00e9 de Toth.\" src=\"https:\/\/www.deauville-info.com\/blog\/wp-content\/uploads\/2022\/10\/lettre-de-deauville-lart-du-hug-et-le-declin-du-cinema-americain.jpg\" class=\"sc-14kwckt-20 bVxnA-d\"><a aria-label=\"Ouvrir en plein \u00e9cran\" title=\"Ouvrir en plein \u00e9cran\" href=\"https:\/\/media.lesechos.com\/api\/v1\/images\/view\/631b0e2b3ff4b60fe713de05\/par_defaut\/image.jpg\" role=\"link\" rel=\"noopener noreferrer\" target=\"_blank\" class=\"sc-14kwckt-16 sc-5udzxv-0 hIJloJ bgPdpl sc-1b9reu1-0 sc-su8pwh-0 sc-zptecf-0 dmjNHv iIa-dMa\"><span class=\"sc-aamjrj-0 sc-nzxqnm-2 bTDujH\"><svg viewBox=\"0 0 34 34\" xml:space=\"preserve\" role=\"img\" class=\"sc-e36qsx-0 sc-nzxqnm-1 TacAX\"><path d=\"M13.4 20.6c.4.4.4.9 0 1.2l-9.8 9.8h7.1c.5 0 .9.4.9.9s-.4.9-.9.9H1.5c-.5 0-.9-.4-.9-.9v-9.2c0-.5.4-.9.9-.9s.9.4.9.9v7.1l9.8-9.8c.3-.4.9-.4 1.2 0zm8.4 0 9.8 9.8v-7.1c0-.5.4-.9.9-.9s.9.4.9.9v9.2c0 .5-.4.9-.9.9h-9.2c-.5 0-.9-.4-.9-.9s.4-.9.9-.9h7.1l-9.8-9.8c-.4-.4-.4-.9 0-1.2.3-.4.9-.4 1.2 0zM32.5.6c.5 0 .9.4.9.9v9.2c0 .5-.4.9-.9.9s-.9-.4-.9-.9V3.6l-9.8 9.8c-.4.4-.9.4-1.2 0-.4-.4-.4-.9 0-1.2l9.8-9.8h-7.1c-.5 0-.9-.4-.9-.9s.4-.9.9-.9h9.2zM10.7.6c.5 0 .9.4.9.9s-.4.9-.9.9H3.6l9.8 9.8c.4.4.4.9 0 1.2-.4.4-.9.4-1.2 0L2.4 3.6v7.1c0 .5-.4.9-.9.9s-.9-.4-.9-.9V1.5c0-.5.4-.9.9-.9h9.2z\" \/><\/svg><\/span><\/a><\/div><figcaption class=\"sc-12l15dn-0 sc-7ns1zc-1 fPATuQ fvksbw\" readability=\"2\">\n<p class=\"sc-14kwckt-6 gPHWRV\"><span>Robert Ryan et Burl Ives dans \u00ab&nbsp;La Chevauch\u00e9e des bannis&nbsp;\u00bb d&rsquo;Andr\u00e9 de Toth.<\/span><span>\u00a9DR<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"sc-14kwckt-6 gPHWRV\">Ces films d&rsquo;hier surprennent aujourd&rsquo;hui par leur efficacit\u00e9. Pas de digression, pas de plans inutiles, de sentimentalisme, d&rsquo;explications psychologiques. Jamais de \u00ab&nbsp;hug&nbsp;\u00bb. \u00ab <a href=\"https:\/\/www.lesechos.fr\/weekend\/cinema-series\/hollywood-business-la-guerre-des-images-a-deauville-1785604\" class=\"sc-zhefrs-0 gKDiCM\">Hollywood Business<\/a> \u00bb, le passionnant documentaire diffus\u00e9 en feuilleton au cours du festival, expliquait la crise structurelle qui frappe aujourd&rsquo;hui l&rsquo;industrie et siphonne sa cr\u00e9ativit\u00e9. Un jour, peut-\u00eatre, les historiens d\u00e9termineront que le d\u00e9clin du cin\u00e9ma ind\u00e9pendant a commenc\u00e9 dans la foul\u00e9e, lorsque ses personnages prirent l&rsquo;habitude de trouver des solutions aux intrigues en se serrant dans les bras. Le jury d&rsquo; <a href=\"https:\/\/www.lesechos.fr\/weekend\/cinema-series\/arnaud-desplechin-le-cinema-americain-se-renouvelle-par-ses-marges-1785236\" class=\"sc-zhefrs-0 gKDiCM\">Arnaud Desplechin<\/a> d\u00e9voilera son palmar\u00e8s ce samedi 10&nbsp;septembre.<\/p>\n<div class=\"sc-aamjrj-0 sc-1bgc14k-3 hbdwCp jViZBG\" readability=\"5.6724137931034\">\n<h3 class=\"sc-14kwckt-2 gDZSYh sc-14kwckt-6 sc-12m61ps-0 fnhKbj\">48e Festival de cin\u00e9ma am\u00e9ricain de Deauville<\/h3>\n<h4 class=\"sc-14kwckt-3 idofeU sc-14kwckt-6 sc-12m61ps-0 WvUOs\">Festival<\/h4>\n<p class=\"sc-14kwckt-6 gPHWRV\">Jusqu&rsquo;au dimanche 11&nbsp;septembre. Rens. <a href=\"https:\/\/www.festival-deauville.com\/\" class=\"sc-zhefrs-0 gKDiCM\">festival-deauville.com<\/a><\/p>\n<\/div>\n<\/div>\n<p>Cette chronique se veut produite du mieux possible. Vous pouvez utiliser les coordonn\u00e9es inscrites sur le site web dans l\u2019objectif d\u2019indiquer des pr\u00e9cisions sur ce post qui parle du th\u00e8me \u00ab\u00a0\u00a0\u00bb. Le site deauville-info.com vous soumet de lire ce post autour du th\u00e8me \u00ab\u00a0\u00a0\u00bb. deauville-info.com est une plateforme num\u00e9rique qui archive diff\u00e9rentes actualit\u00e9s publi\u00e9es sur le net dont le domaine principal est \u00ab\u00a0\u00a0\u00bb. Consultez notre site deauville-info.com et nos r\u00e9seaux sociaux dans l\u2019optique d\u2019\u00eatre au courant des nouvelles publications.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publi\u00e9 le 9 sept. 2022 \u00e0 11:54Mis \u00e0 jour le 9 sept. 2022 \u00e0 11:55 Depuis&nbsp;1975, au fil des d\u00e9cennies, le festival du cin\u00e9ma am\u00e9ricain de Deauville a re\u00e7u les plus grandes stars&nbsp;: Robert Mitchum, Kirk Douglas, Robert Redford, Gregory Peck, Al Pacino, Clint Eastwood\u2026 Au cours des ann\u00e9es&nbsp;1990, il a pris ses distances avec &#8230; <a title=\"Lettre de Deauville : l&rsquo;art du \u00ab hug \u00bb et le d\u00e9clin du cin\u00e9ma am\u00e9ricain\" class=\"read-more\" href=\"https:\/\/www.deauville-info.com\/blog\/lettre-de-deauville-lart-du-hug-et-le-declin-du-cinema-americain\/\" aria-label=\"En savoir plus sur Lettre de Deauville : l&rsquo;art du \u00ab hug \u00bb et le d\u00e9clin du cin\u00e9ma am\u00e9ricain\">Lire la suite<\/a><\/p>\n","protected":false},"author":2,"featured_media":66,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-64","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article-sur-le-theme"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lettre de Deauville : l&#039;art du \u00ab hug \u00bb et le d\u00e9clin du cin\u00e9ma am\u00e9ricain - DEAUVILLE-INFO<\/title>\n<meta name=\"description\" content=\"Lettre de Deauville : l&#039;art du \u00ab hug \u00bb et le d\u00e9clin du cin\u00e9ma am\u00e9ricain article de DEAUVILLE-INFO\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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